Future Organic Technology — The Visionary Art of Paul Laffoley

visionary art

Link for this Post: Intro to Paul Laffoley and Future Organic Technology

A couple of days ago, I found a site called Miquel.Com "Your Favorite Source of Random Information." Actually the information is not a "random" as advertised but along the lines of stuff you might see on this blog.

Among the interesting eclectic information found on the site is a virtual visionary art expo by an artist named Paul Laffoley. One of his images adorns the top of this post. Here is how the artist describes his exhibit:

Immensely detailed mandalas of geometrical systems, thought symmetries, machines of the future, bioengineered living structures, methods of creating time-machines and dimensional wormholes are just the beginning!

There are many images up there and it would be worth your while to go there and take a look around.

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By Bruce Eisner

3 Responses to Future Organic Technology — The Visionary Art of Paul Laffoley

  1. fun-da-mental June 26, 2009 at 8:59 pm #

    Paul Laffoley creates great, and at the same time somewhat ‘strange’ visionary art.
    Thanks for bringing him to our attention.

  2. Bruce Eisner June 27, 2009 at 11:18 am #

    Timothy Leary coined the word “futique” — a word that combines future and antique. I think that this term is appropriate for this art.

  3. MiqelDotCom July 8, 2009 at 5:48 am #

    Hi Bruce,
    I’ve been a fan of your writing for many years! Thanks for the link & glad you enjoyed the site.
    Paul Laffoley is (in my opinion) literally one of the most amazing & important artists of the late 20th / early 21st century. You might be interested to know that he’s NEVER taken psychedelics … his works come in complete ‘chunks’ by way of lucid dreaming. Quite a fascinating person!
    Interesting that you mention Leary, Paul met him once and made the following comment “Timothy Leary came to a show I had about 2 weeks before the (Woodstock) Festival. His only comment was “I like your sense of humor.” It is only now that I realized he was not talking about my paintings but about my appearance in relation to the paintings I produce.”

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